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2024

Andrei Dureika
Belarusian art: the future, armed with tools from the past
publication
InshyJA (The Others)
"Artists and journalists are so dangerous to the regime because they teach critical thinking." How to talk about important things through art now
publication
"Фатаграфія — гэта лад жыцця". Вытрымкі з інтэрв’ю Уладзіміра Парфянка і фатаграфіі ягонага аўтарства
publication
Sergey Shabohin
Milestones in Pinhole Photography
lecture

2023

Belarusian National Arts Museum
"Butterfly with Flame Wings" phenomenon of creativity of the Belarusian artist Zinaida Astapovich-Bocharova
publication
Reform.by
"Я расказваю і пра тое, што цяпер адбываецца ў калоніях і турмах": мастачка Марына Напрушкіна аб сваёй выставе ў Берліне
publication
Andrei Dureika
Belarusian Art Abroad: April 2023
цикл "Беларусское искусство за рубежом"
Andrei Dureika
Belarusian Art Abroad: March 2023
publication
Andrei Dureika
Belarusian Art Abroad: May 2023
publication
Status, Дита Войт
Mimicry. Almost white, but not white
publication
Chrysalis Mag, Пелагея Кудин
Zakhar Kudin
publication

2022

Reform.by, Светлана Станкевич
"Волонтеры для них в диковинку". Специальный репортаж Reform.by о беларусских "стюардессах" и украинских беженцах на польской границе
publication
Reform.by
"Ёсць тое, што нельга зруйнаваць і немагчыма адсекчы": куратар Аляксей Барысёнак – пра афекты 2020-га, палітычныя архівы і выставы-даследаванні
publication
Белсат
A sculpture exhibition in Hrodna was closed due to the denunciation of a lover of "russian world"
publication
syg.ma, Yuli Ilyushchanka (Karen Karnak)
Art that requires attention (and time), or some comments on the works of Semyon Motolyanets and Alina Khalitova
publication
Reform.by
Institutional breakdown, underground movements and international success: results of a year in art
publication
Chrysalis Mag
Is Art Brut art only for the mentally ill and marginalized? Let's look at the example of A.R.Ch's creativity
publication
FIELD, Olga Kopenkina
No Time for Art? Strategies of Negation in Belarusian Art During the 2020 Anti-Government Uprising
publication
e-flux, Aleksei Borisionok
Queer Temporalities and Protest Infrastructures in Belarus, 2020–22: A Brief Museum Guide
publication
Sasha Razor
The Code of Presence: Belarusian Protest Embroideries and Textile Patterns
publication
Chrysalis Mag
The School of Paris and modernity: how does the past become the present?
publication
Status, Olga Bubich
The story of one yard, or remember everything
publication
Chrysalis Mag, Alexei Kuzmich (junior)
Time to Act: Actionism, Performance, Activism. Part 2 Actionism vs. Performance
publication
Chrysalis Mag
Traditional art of Belarus: how it is preserved and transformed into the present
publication
Walera Martynchik. Catalogue 1
catalog
Walera Martynchik. Catalogue 2
catalog
Walera Martynchik. Catalogue 3
catalog
Walera Martynchik
Walera Martynchik. Reconstruction of events
book
Chrysalis Mag, Alexandr Adamov
Where where? In the open air! "There's Nobody Here" as part of the landscape
publication
Chrysalis Mag
Women of Belarusian art. Our past and present
publication
Уладзімір Зяленскі ў "выжыванцы" з арнаментам ад Руфіны Базловай
photo document

2021

2020

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2015

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2011

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2009

2008

2007

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2003

2002

2001

2000

1999

1998

1997

1996

1995

1994

1993

1992

1991

1990

1989

1988

1987

1986

1985

1982

1977

1976

1974

1972

1971

1970

1969

1962

1960

1958

1956

1954

1953

1952

1937

1932

1930

1927

1925

1921

1920

1919

1912

1891

eng Translation Missing

"Ченто": вместо (ДЕ)фрагментации – полное форматирование

Art Aktivist, Tania Arcimović 2011
PDF

Публикация интернет-ресурса Art Aktitvist от 23 сентября 2011.

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Анонс публикации:

В августе во Дворце искусств был представлен проект "Ченто. (Де)фрагментация", кураторами которого выступили переводчик и арт-менеджер Ирина Герасимович и художница Зоя Луцевич. Проект, наверное, спорный — каким, в принципе, и должен быть любой проект, претендующий на определенный уровень.

Page created 12/7/2021
Last modified 12/22/2021
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