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  • 1891

2024

Andrei Dureika
Belarusian art: the future, armed with tools from the past
publication
InshyJA (The Others)
"Artists and journalists are so dangerous to the regime because they teach critical thinking." How to talk about important things through art now
publication
"Фатаграфія — гэта лад жыцця". Вытрымкі з інтэрв’ю Уладзіміра Парфянка і фатаграфіі ягонага аўтарства
publication
Sergey Shabohin
Milestones in Pinhole Photography
lecture

2023

Belarusian National Arts Museum
"Butterfly with Flame Wings" phenomenon of creativity of the Belarusian artist Zinaida Astapovich-Bocharova
publication
Reform.by
"Я расказваю і пра тое, што цяпер адбываецца ў калоніях і турмах": мастачка Марына Напрушкіна аб сваёй выставе ў Берліне
publication
Andrei Dureika
Belarusian Art Abroad: April 2023
цикл "Беларусское искусство за рубежом"
Andrei Dureika
Belarusian Art Abroad: March 2023
publication
Andrei Dureika
Belarusian Art Abroad: May 2023
publication
Status, Дита Войт
Mimicry. Almost white, but not white
publication
Chrysalis Mag, Пелагея Кудин
Zakhar Kudin
publication

2022

Reform.by, Светлана Станкевич
"Волонтеры для них в диковинку". Специальный репортаж Reform.by о беларусских "стюардессах" и украинских беженцах на польской границе
publication
Reform.by
"Ёсць тое, што нельга зруйнаваць і немагчыма адсекчы": куратар Аляксей Барысёнак – пра афекты 2020-га, палітычныя архівы і выставы-даследаванні
publication
Белсат
A sculpture exhibition in Hrodna was closed due to the denunciation of a lover of "russian world"
publication
syg.ma, Yuli Ilyushchanka (Karen Karnak)
Art that requires attention (and time), or some comments on the works of Semyon Motolyanets and Alina Khalitova
publication
Reform.by
Institutional breakdown, underground movements and international success: results of a year in art
publication
Chrysalis Mag
Is Art Brut art only for the mentally ill and marginalized? Let's look at the example of A.R.Ch's creativity
publication
FIELD, Olga Kopenkina
No Time for Art? Strategies of Negation in Belarusian Art During the 2020 Anti-Government Uprising
publication
e-flux, Aleksei Borisionok
Queer Temporalities and Protest Infrastructures in Belarus, 2020–22: A Brief Museum Guide
publication
Sasha Razor
The Code of Presence: Belarusian Protest Embroideries and Textile Patterns
publication
Chrysalis Mag
The School of Paris and modernity: how does the past become the present?
publication
Status, Olga Bubich
The story of one yard, or remember everything
publication
Chrysalis Mag, Alexei Kuzmich (junior)
Time to Act: Actionism, Performance, Activism. Part 2 Actionism vs. Performance
publication
Chrysalis Mag
Traditional art of Belarus: how it is preserved and transformed into the present
publication
Walera Martynchik. Catalogue 1
catalog
Walera Martynchik. Catalogue 2
catalog
Walera Martynchik. Catalogue 3
catalog
Walera Martynchik
Walera Martynchik. Reconstruction of events
book
Chrysalis Mag, Alexandr Adamov
Where where? In the open air! "There's Nobody Here" as part of the landscape
publication
Chrysalis Mag
Women of Belarusian art. Our past and present
publication
Уладзімір Зяленскі ў "выжыванцы" з арнаментам ад Руфіны Базловай
photo document

2021

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1891

The street

Haim Soutine (Chaïm Soutine) 1923 – 1924
Oil on canvas, Staatliche Museen zu Berlin, Nationalgalerie

Selected events

Paris Magnétique. 1905-1940
2023. large-scale exhibition

For years after his arrival in Paris, Chaim Soutine was a struggling and often starving artist. This changed in 1923, when the wealthy American industrialist Dr.Albert C.Barnes bought a large number of his paintings. The vibrantly colored winding street in Ceret in the south of France seems to be leading somewhere bright, reflecting the artist's new-found fortune.

Page created 8/3/2023
Last modified 8/3/2023
Editor:
Iryna Khalalovich