belrus
  • 2024
  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
  • 2011
  • 2010
  • 2009
  • 2008
  • 2007
  • 2006
  • 2005
  • 2004
  • 2003
  • 2002
  • 2001
  • 2000
  • 1999
  • 1998
  • 1997
  • 1996
  • 1995
  • 1994
  • 1993
  • 1992
  • 1991
  • 1990
  • 1989
  • 1988
  • 1987
  • 1986
  • 1985
  • 1982
  • 1977
  • 1976
  • 1974
  • 1972
  • 1971
  • 1970
  • 1969
  • 1962
  • 1960
  • 1958
  • 1956
  • 1954
  • 1953
  • 1952
  • 1937
  • 1932
  • 1930
  • 1927
  • 1925
  • 1921
  • 1920
  • 1919
  • 1912
  • 1891

2024

Andrei Dureika
Belarusian art: the future, armed with tools from the past
publication
InshyJA (The Others)
"Artists and journalists are so dangerous to the regime because they teach critical thinking." How to talk about important things through art now
publication
"Фатаграфія — гэта лад жыцця". Вытрымкі з інтэрв’ю Уладзіміра Парфянка і фатаграфіі ягонага аўтарства
publication
Sergey Shabohin
Milestones in Pinhole Photography
lecture

2023

Belarusian National Arts Museum
"Butterfly with Flame Wings" phenomenon of creativity of the Belarusian artist Zinaida Astapovich-Bocharova
publication
Reform.by
"Я расказваю і пра тое, што цяпер адбываецца ў калоніях і турмах": мастачка Марына Напрушкіна аб сваёй выставе ў Берліне
publication
Andrei Dureika
Belarusian Art Abroad: April 2023
цикл "Беларусское искусство за рубежом"
Andrei Dureika
Belarusian Art Abroad: March 2023
publication
Andrei Dureika
Belarusian Art Abroad: May 2023
publication
Status, Дита Войт
Mimicry. Almost white, but not white
publication
Chrysalis Mag, Пелагея Кудин
Zakhar Kudin
publication

2022

Reform.by, Светлана Станкевич
"Волонтеры для них в диковинку". Специальный репортаж Reform.by о беларусских "стюардессах" и украинских беженцах на польской границе
publication
Reform.by
"Ёсць тое, што нельга зруйнаваць і немагчыма адсекчы": куратар Аляксей Барысёнак – пра афекты 2020-га, палітычныя архівы і выставы-даследаванні
publication
Белсат
A sculpture exhibition in Hrodna was closed due to the denunciation of a lover of "russian world"
publication
syg.ma, Yuli Ilyushchanka (Karen Karnak)
Art that requires attention (and time), or some comments on the works of Semyon Motolyanets and Alina Khalitova
publication
Reform.by
Institutional breakdown, underground movements and international success: results of a year in art
publication
Chrysalis Mag
Is Art Brut art only for the mentally ill and marginalized? Let's look at the example of A.R.Ch's creativity
publication
FIELD, Olga Kopenkina
No Time for Art? Strategies of Negation in Belarusian Art During the 2020 Anti-Government Uprising
publication
e-flux, Aleksei Borisionok
Queer Temporalities and Protest Infrastructures in Belarus, 2020–22: A Brief Museum Guide
publication
Sasha Razor
The Code of Presence: Belarusian Protest Embroideries and Textile Patterns
publication
Chrysalis Mag
The School of Paris and modernity: how does the past become the present?
publication
Status, Olga Bubich
The story of one yard, or remember everything
publication
Chrysalis Mag, Alexei Kuzmich (junior)
Time to Act: Actionism, Performance, Activism. Part 2 Actionism vs. Performance
publication
Chrysalis Mag
Traditional art of Belarus: how it is preserved and transformed into the present
publication
Walera Martynchik. Catalogue 1
catalog
Walera Martynchik. Catalogue 2
catalog
Walera Martynchik. Catalogue 3
catalog
Walera Martynchik
Walera Martynchik. Reconstruction of events
book
Chrysalis Mag, Alexandr Adamov
Where where? In the open air! "There's Nobody Here" as part of the landscape
publication
Chrysalis Mag
Women of Belarusian art. Our past and present
publication
Уладзімір Зяленскі ў "выжыванцы" з арнаментам ад Руфіны Базловай
photo document

2021

2020

2019

2018

2017

2016

2015

2014

2013

2012

2011

2010

2009

2008

2007

2006

2005

2004

2003

2002

2001

2000

1999

1998

1997

1996

1995

1994

1993

1992

1991

1990

1989

1988

1987

1986

1985

1982

1977

1976

1974

1972

1971

1970

1969

1962

1960

1958

1956

1954

1953

1952

1937

1932

1930

1927

1925

1921

1920

1919

1912

1891

eng Automatic Translation

Danila Parniouk

1974

Photographer.

His approach is characterized by self-irony and sensitivity to the people and places around him. Mostly he shoots with a “soap box”, since it does not cause an aggressive reaction from others. Traveling around the world, the photographer explores the concepts of timelessness and genius of place in his works.

Daniil's works were published in the magazines "Mastatstva", "Monologue", "Rolling Stones", as well as in the catalog of the exhibition of contemporary Belarusian art "DAKH" in Berlin. At the moment, photographs of Daniil Parnyuk are in private collections in Belarus, Russia, the USA, France, Germany, Israel, Spain, Canada, Holland, India, Korea, as well as in the National Art Museum of the Republic of Belarus.

Lives and works in Spain.

  • -

    • -

  • Personal website: www.parniouk.org

    • Personal website: www.parniouk.org

    Selected events

    Время Ч
    2013. solo show
    [ collector ]
    В рамках собственного "Я": художник-коллекционер в Беларуси
    2013. group project
    [ collector ]
    Камни в белом кабинете
    2009. apartment
    [ participant ]

    Selected Artwork Series

    Данила Парнюк
    Праздник
    2013, photo series
    Danila Parniouk
    Fayum
    2013, photo series
    Danila Parniouk
    Co-Creation
    2010, photo series
    Danila Parniouk
    Spaces of Grace
    2010, photo series

    Associated institutions

    PSI Foundation
    fund
    [ supervisor ]

    Associated Documents

    ZНЯТА, Валерий Ведренко
    Владимир Парфенок: престиж фотографии
    publication

    Selected dates:

    1974

    Born in Minsk (BSSR, now the Republic of Belarus).

    1980s

    I began to actively engage in photography.

    • -

      • Photographer about his practice:

      • “I’m interested in talking about people. They are the ones who shape space, culture, everything that surrounds us, what happens around us. Thus, I explore the spaces that you and I form. I’m interested in observing what happens inside various phenomena.”.

      • -

      • Literature:

        Danila Parnyuk: "Geography", St. Petersburg, 2015.

  • -

    • Photographer about his practice:

    • “I’m interested in talking about people. They are the ones who shape space, culture, everything that surrounds us, what happens around us. Thus, I explore the spaces that you and I form. I’m interested in observing what happens inside various phenomena.”.

    • -

    • Literature:

      Danila Parnyuk: "Geography", St. Petersburg, 2015.

    • -

    • Photographer about his practice:

    • “I’m interested in talking about people. They are the ones who shape space, culture, everything that surrounds us, what happens around us. Thus, I explore the spaces that you and I form. I’m interested in observing what happens inside various phenomena.”.

    • -

    • Literature:

      Danila Parnyuk: "Geography", St. Petersburg, 2015.

  • Photographer about his practice:

    • Photographer about his practice:

  • “I’m interested in talking about people. They are the ones who shape space, culture, everything that surrounds us, what happens around us. Thus, I explore the spaces that you and I form. I’m interested in observing what happens inside various phenomena.”.

    • “I’m interested in talking about people. They are the ones who shape space, culture, everything that surrounds us, what happens around us. Thus, I explore the spaces that you and I form. I’m interested in observing what happens inside various phenomena.”.

  • -

    • -

  • Literature:

    Danila Parnyuk: "Geography", St. Petersburg, 2015.

    • Literature:

    Danila Parnyuk: "Geography", St. Petersburg, 2015.

    Page created 10/3/2021
    Last modified 11/3/2024
    Editors:
    Maria Chernyak INDEX KALEKTAR Iryna Khalalovich