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2024

Andrei Dureika
Belarusian art: the future, armed with tools from the past
publication
InshyJA (The Others)
"Artists and journalists are so dangerous to the regime because they teach critical thinking." How to talk about important things through art now
publication
"Фатаграфія — гэта лад жыцця". Вытрымкі з інтэрв’ю Уладзіміра Парфянка і фатаграфіі ягонага аўтарства
publication
Sergey Shabohin
Milestones in Pinhole Photography
lecture

2023

Belarusian National Arts Museum
"Butterfly with Flame Wings" phenomenon of creativity of the Belarusian artist Zinaida Astapovich-Bocharova
publication
Reform.by
"Я расказваю і пра тое, што цяпер адбываецца ў калоніях і турмах": мастачка Марына Напрушкіна аб сваёй выставе ў Берліне
publication
Andrei Dureika
Belarusian Art Abroad: April 2023
цикл "Беларусское искусство за рубежом"
Andrei Dureika
Belarusian Art Abroad: March 2023
publication
Andrei Dureika
Belarusian Art Abroad: May 2023
publication
Status, Дита Войт
Mimicry. Almost white, but not white
publication
Chrysalis Mag, Пелагея Кудин
Zakhar Kudin
publication

2022

Reform.by, Светлана Станкевич
"Волонтеры для них в диковинку". Специальный репортаж Reform.by о беларусских "стюардессах" и украинских беженцах на польской границе
publication
Reform.by
"Ёсць тое, што нельга зруйнаваць і немагчыма адсекчы": куратар Аляксей Барысёнак – пра афекты 2020-га, палітычныя архівы і выставы-даследаванні
publication
Белсат
A sculpture exhibition in Hrodna was closed due to the denunciation of a lover of "russian world"
publication
syg.ma, Yuli Ilyushchanka (Karen Karnak)
Art that requires attention (and time), or some comments on the works of Semyon Motolyanets and Alina Khalitova
publication
Reform.by
Institutional breakdown, underground movements and international success: results of a year in art
publication
Chrysalis Mag
Is Art Brut art only for the mentally ill and marginalized? Let's look at the example of A.R.Ch's creativity
publication
FIELD, Olga Kopenkina
No Time for Art? Strategies of Negation in Belarusian Art During the 2020 Anti-Government Uprising
publication
e-flux, Aleksei Borisionok
Queer Temporalities and Protest Infrastructures in Belarus, 2020–22: A Brief Museum Guide
publication
Sasha Razor
The Code of Presence: Belarusian Protest Embroideries and Textile Patterns
publication
Chrysalis Mag
The School of Paris and modernity: how does the past become the present?
publication
Status, Olga Bubich
The story of one yard, or remember everything
publication
Chrysalis Mag, Alexei Kuzmich (junior)
Time to Act: Actionism, Performance, Activism. Part 2 Actionism vs. Performance
publication
Chrysalis Mag
Traditional art of Belarus: how it is preserved and transformed into the present
publication
Walera Martynchik. Catalogue 1
catalog
Walera Martynchik. Catalogue 2
catalog
Walera Martynchik. Catalogue 3
catalog
Walera Martynchik
Walera Martynchik. Reconstruction of events
book
Chrysalis Mag, Alexandr Adamov
Where where? In the open air! "There's Nobody Here" as part of the landscape
publication
Chrysalis Mag
Women of Belarusian art. Our past and present
publication
Уладзімір Зяленскі ў "выжыванцы" з арнаментам ад Руфіны Базловай
photo document

2021

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eng Automatic Translation

Viktor Gromyko

1923 – 2019

Artist, teacher.

He worked in easel painting in the genres of painting, landscape, portrait. Romanticism is inherent in creativity - the desire for a poetic understanding of the world, for the lofty ideal of beauty. The theme of the Great Patriotic War is widely reflected in his work. He synthesized natural observations, chose a high point of view, creating lyrical-epic works, where the subtlety of lyrical feeling was organically combined with the epic breadth of generalizations, the desire to connect modernity with the history of their land and people.

For 40 years he taught at the Belarusian State Academy of Arts.

Selected events

Ten Centuries of Belarusian Art
2014. large-scale exhibition
[ participant ]

Selected artworks

Viktor Gromyko
Flaxes of Belarus (variant)
2002, painting
Виктор Громыко
Женщинам Великой Отечественной посвящается
1972, painting
Виктор Громыко
1941. Over Pripyat
1970, painting
Виктор Громыко
Красные земли Полотчины
1970, painting
Viktor Gromyko
Soldiers
1967, painting

Associated institutions

Belarusian State Academy of Arts
high school, educational, library, state, studio
[ teacher ]
Belarusian Union of Artists
union
[ chairman ]
Minsk State Art College named after A. Glebov
institution of secondary education, state, education system
[ graduate ]
People's Artist of Belarus (award)
prize
[ лауреат ]

Articles on KALEKTAR

Camilla Harutyunyan , Sophia Sadovskaya
Review: "Art as a meeting place. Inclusion in the history of Belarusian contemporary art"
[ mentioned ]

Associated Documents

Ten centuries of art in Belarus
catalog

Selected dates:

January 1, 1923

Born in the village of Senkovo , Mogilev District (BSSR, today the Republic of Belarus). Childhood passed in the village of Smolyany.

1941

He graduated from an incomplete secondary school (7 classes). During the war he was in the partisan group of Konstantin Zaslonov, later in the Smolensk partisan regiment.

1951

Graduated from the Minsk Art College .

1958

He completed his studies at the Belarusian State Theater and Art Institute (now the Belarusian State Academy of Arts).

1959-1997

He worked as a teacher at the Belarusian Academy of Arts.

1970

Received the title of Honored Artist of the BSSR .

1977-1982

He was the chairman of the board of the Union of Artists of the BSSR .

1992

He was recognized as the People's Artist of the BSSR .

July 10, 2019

Died in Minsk.

  • -

  • Artist's book:

  • Rainbow over the road: Memoirs, 2000.

Page created 1/23/2022
Last modified 9/4/2023
Editors:
INDEX Maria Chernyak