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2024

"Фатаграфія — гэта лад жыцця". Вытрымкі з інтэрв’ю Уладзіміра Парфянка і фатаграфіі ягонага аўтарства
publication

2023

Belarusian National Arts Museum
"Butterfly with Flame Wings" phenomenon of creativity of the Belarusian artist Zinaida Astapovich-Bocharova
publication
Reform.by
"Я расказваю і пра тое, што цяпер адбываецца ў калоніях і турмах": мастачка Марына Напрушкіна аб сваёй выставе ў Берліне
publication
Andrei Dureika
Belarusian Art Abroad: April 2023
цикл "Беларусское искусство за рубежом"
Andrei Dureika
Belarusian Art Abroad: March 2023
publication
Andrei Dureika
Belarusian Art Abroad: May 2023
publication
Status, Дита Войт
Mimicry. Almost white, but not white
publication

2022

Reform.by, Светлана Станкевич
"Волонтеры для них в диковинку". Специальный репортаж Reform.by о беларусских "стюардессах" и украинских беженцах на польской границе
publication
Reform.by
"Ёсць тое, што нельга зруйнаваць і немагчыма адсекчы": куратар Аляксей Барысёнак – пра афекты 2020-га, палітычныя архівы і выставы-даследаванні
publication
Белсат
A sculpture exhibition in Hrodna was closed due to the denunciation of a lover of "russian world"
publication
syg.ma, Yuli Ilyushchanka (Karen Karnak)
Art that requires attention (and time), or some comments on the works of Semyon Motolyanets and Alina Khalitova
publication
Reform.by
Institutional breakdown, underground movements and international success: results of a year in art
publication
FIELD, Olga Kopenkina
No Time for Art? Strategies of Negation in Belarusian Art During the 2020 Anti-Government Uprising
publication
e-flux, Aleksei Borisionok
Queer Temporalities and Protest Infrastructures in Belarus, 2020–22: A Brief Museum Guide
publication
Sasha Razor
The Code of Presence: Belarusian Protest Embroideries and Textile Patterns
publication
Chrysalis Mag
The School of Paris and modernity: how does the past become the present?
publication
Status, Olga Bubich
The story of one yard, or remember everything
publication
Chrysalis Mag
Traditional art of Belarus: how it is preserved and transformed into the present
publication
Walera Martynchik. Catalogue 1
catalog
Walera Martynchik. Catalogue 2
catalog
Walera Martynchik. Catalogue 3
catalog
Walera Martynchik
Walera Martynchik. Reconstruction of events
book
Chrysalis Mag
Women of Belarusian art. Our past and present
publication
Уладзімір Зяленскі ў "выжыванцы" з арнаментам ад Руфіны Базловай
photo document

2021

2020

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2002

2001

2000

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1995

1994

1993

1992

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1990

1989

1988

1987

1986

1985

1982

1977

1976

1974

1972

1971

1970

1969

1962

1960

1958

1956

1954

1953

1952

1937

1932

1930

1927

1925

1921

1920

1919

1912

1891

Moses Kunin

1897 – 1972

Soviet pop performer and painter.

Stage names: Michael Cooney, Hans Cooney-Picasso, Hans Cooney.

A student of Marc Chagall, he was one of the few students opposed to Kazimir Malevich and Suprematism, despite the fact that he was formally a member of UNOVIS. He worked in the circus, first as a graphic designer, and then actually became a circus actor. Performed in circuses with the number "Artist-momentalist", quickly drawing with blindfolded eyes and legs.

Lived and worked mainly in Vitebsk and Moscow.

Groups

UNOVIS (Hardeners of the New Art)
art collective

Selected events

Ten Centuries of Belarusian Art
2014. large-scale exhibition
[ participant ]

Selected artworks

Moses Kunin
Synagogue in Vitebsk
1920, painting
Moses Kunin
Искусство Коммуны
1919, painting

Associated institutions

Vitebsk Folk Art School
education system
[ graduate ]

Associated Documents

Ten centuries of art in Belarus
catalog
Учени_цы и преподавател_ьницы УНОВИС у агитвагона
photo document
UNOVIS (Hardeners of the New Art)
Список членов УНОВИСа
список

Related

Marc Chagall
artist, teacher
Ephraim Volkhonsky
artist
Роберт Фальк

Selected dates:

September 7th, 1897

Born in Vitebsk (at that time the Russian Empire, now the Republic of Belarus).

1916

Graduated from the Moscow Commercial Institute.

1919-1921

Studied at the Vitebsk Art College.

1920

Together with E. Volkhonsky and L. Zevin he organized the “Group of Three”, which in May 1920 opened an exhibition at the Sorabis Club (Union of Art Workers) in Vitebsk.

1921

At the invitation of Robert Falk, he entered VKHUTEMAS, but did not study for long.

since 1924

He began to perform in circuses with the number "Artist-momentalist", quickly drawing with blindfolded eyes and legs.

January 2th, 1972

Died in Leningrad, USSR (now St. Petersburg, Russia).

Page created 1/20/2022
Last modified 6/19/2023
Editors:
INDEX Iryna Khalalovich Maxim Tyminko