belrus
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2023

Andrei Dureika
Belarusian Art Abroad: April 2023
цикл "Беларусское искусство за рубежом"
Andrei Dureika
Belarusian Art Abroad: March 2023
publication
Andrei Dureika
Belarusian Art Abroad: May 2023
publication

2022

Reform.by, Светлана Станкевич
"Волонтеры для них в диковинку". Специальный репортаж Reform.by о беларусских "стюардессах" и украинских беженцах на польской границе
publication
Reform.by
"Ёсць тое, што нельга зруйнаваць і немагчыма адсекчы": куратар Аляксей Барысёнак – пра афекты 2020-га, палітычныя архівы і выставы-даследаванні
publication
Белсат
A sculpture exhibition in Hrodna was closed due to the denunciation of a lover of "russian world"
publication
syg.ma, Yuli Ilyushchanka (Karen Karnak)
Art that requires attention (and time), or some comments on the works of Semyon Motolyanets and Alina Khalitova
publication
Reform.by
Institutional breakdown, underground movements and international success: results of a year in art
publication
FIELD, Olga Kopenkina
No Time for Art? Strategies of Negation in Belarusian Art During the 2020 Anti-Government Uprising
publication
e-flux, Aleksei Borisionok
Queer Temporalities and Protest Infrastructures in Belarus, 2020–22: A Brief Museum Guide
publication
Уладзімір Зяленскі ў "выжыванцы" з арнаментам ад Руфіны Базловай
photo document

2021

Afterimage, Olga Kopenkina
Exhibition Review: Every Day. Art. Solidarity. Resistance. Mystetskiy Arsenal. Kyiv, Ukraine: May 3–June 6, 2021
publication
VEHA, Lesia Pcholka
VEHA's books "Girl's Evening" and "The Last Photo"
album, book
Galina Vasilieva
Витебский авангард в действии
book
Igor Savchenko
Запретные вершины
аудио документы

2020

pARTisan
…кантакт, які яны ўжо не могуць ігнараваць
publication
ARTONIST, Ilona Dergach
5 lectures
bundle
BLOK, Anna Karpenko
The Best and Worst of Art in Central Europe in 2019
publication
Sergei Grits
Алесь Пушкин на акции 23 августа 2020 года
photo document
Ales Pushkin
Алесь Пушкин на акциях протеста в Минске
series of photo documents
ZNYATA, Валерий Ведренко
Владимир Парфенок: престиж фотографии
publication
ZBOR, Aliaxey Talstou
Михаил Гулин: акции "Я не…", "Норка" и "Персональный монумент", 2008–2010
publication
Ekaterina Kenigsberg
Становление кураторства современного искусства в Беларуси в 1990-х гг. на примере проектов галереи "Шестая линия"
publication
Художественная практика и социальные изменения. Наблюдения из Беларуси и Швеции
edition

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eng Automatic Translation

Aleksei Borisionok

1992

Critic, curator, writer and organizer, Master of Sociology (YSU). Editor of the KALEKTAR platform. He is a member of the art-research group The Problem Collective and the working group Work More! Rest more!

She writes about art and politics for various magazines, catalogs and online platforms. His texts have been published in publications such as pARTisan, Art Magazine, Springerin, Hjärnstorm, Paletten, syg.ma.

Research interests: contemporary art in transit, visual and cultural studies, sociology of art, politically engaged art.

Lives and works in Minsk and Vienna.

Groups

Problem Collective
group

Selected events

Imagining OpenMuzej Belarus:  community, contemporary art, engagement 
2023
[ спикер ]
If Disrupted, It Becomes Tangible. Infrastructures and Solidarities beyond the post-Soviet Condition
2023. group project, overseas event
[ curator ]
A Forest Marathon / pARTisanka-Party
2022. overseas event
[ participant ]
ODKSZTAŁCENIE / ДЭФАРМАЦЫЯ / UNLEARNING
2021. group project, foreign, exhibition
[ curator ]
Neophyte II
2021. solo show, overseas event
[ author of the text ]
Every Day. Art. Solidarity. Resistance
2021. group project, large-scale exhibition, overseas event, international event
[ co-curator ]
A Secret Museum of Workers Movement
2021. group project, foreign
[ curator ]
Absorption
2017. solo show
[ curator ]
Всё, что твёрдое, растворится в воздухе
2015. group project
[ curator ]
ZBOR. Constructing an Archive
2015. large-scale exhibition, overseas event, research project, archive project
[ expert ]
Minsk. Nonconformism of the 1980s
2015. group project, archive project
[ co-curator ]
Diploma
2015. group project
[ co-curator ]
XXY
2014. group project
[ curator, participant ]
OFFSIDE
2014. group project
[ co-curator ]

Selected artworks

Olia Sosnovskaya
Citing Sources
2021, performance
[ поддержка ]

Associated institutions

Work Hard! Play Hard!
festival headquarters
[ co-founder, со-руководитель, archivist ]
KALEKTAR
research institution, internet resource
[ co-founder ]
ZBOR
internet resource, research institution
[ участник совета ]
Facultative course of Activist Criticism (FAC)
lecture course, internet resource
[ co-founder, editor ]
On the way to the modern Museum
contest
[ winner ]
saliva.live
internet resource
[ contributor ]
Month of Photography in Minsk
festival headquarters
[ editor ]

Articles on KALEKTAR

Aleksei Borisionok
Андрей Ленкевич: проект "Прощай, Родина!", с 2011 года
Aleksei Borisionok, Maria Kotlyachkova, Sergey Shabohin
Why does an artist need an academy diploma?
Aleksei Borisionok, Maria Kotlyachkova
What is institutional criticism and why does an artist need it?
Sergey Shabohin
How to not/collaborate with art institutions in Belarus?
[ editor, консультант ]
KALEKTAR
Exhibition "ZBOR Constructing an Archive" in Bialystok
[ participant, mentioned ]
Aleksei Borisionok, Vera Zalutskaya, Raman Tratsiuk
What needs to be deformed? About (not) knowledge, clearance and refusal
Open Muzej (OM) , Ambasada Kultury, Pilecki Institut
Conference Imagining OpenMuzej Belarus
[ mentioned ]

Associated Documents

Andrei Dureika
Belarusian Art Abroad: March 2023
publication
FIELD, Olga Kopenkina
No Time for Art? Strategies of Negation in Belarusian Art During the 2020 Anti-Government Uprising
publication
e-flux, Aleksei Borisionok
Queer Temporalities and Protest Infrastructures in Belarus, 2020–22: A Brief Museum Guide
publication
Reform.by
"Ёсць тое, што нельга зруйнаваць і немагчыма адсекчы": куратар Аляксей Барысёнак – пра афекты 2020-га, палітычныя архівы і выставы-даследаванні
publication
Aleksei Borisionok, Vera Zalutskaya
Что нужно деформировать? О (не)знании, зазоре и отказе
publication
Afterimage, Olga Kopenkina
Exhibition Review: Every Day. Art. Solidarity. Resistance. Mystetskiy Arsenal. Kyiv, Ukraine: May 3–June 6, 2021
публикация
BLOK, Anna Karpenko
The Best and Worst of Art in Central Europe in 2019
publication
Художественная практика и социальные изменения. Наблюдения из Беларуси и Швеции
edition
Aleksei Borisionok
Алексей Лунёв: графический лист "Нiчога няма", 2009
публикация
Aleksei Borisiono k
Факультатив активистской критики: Интро
lecture
Aleksei Borisiono k
Зачем художнику диплом академии?
lecture
Aleksei Borisiono k
Что такое институциональная критика и зачем она нужна художнику?
лекция
Aleksei Borisiono k
Как не/сотрудничать с художественными институциями в Беларуси?
lecture
Aleksei Borisionok
Андрей Ленкевич: проект "Прощай, Родина!", с 2011 года
публикация
Aleksei Borisionok
Флора и фауна "Документы"
публикация

Selected dates:

March 10, 1992

Born in Minsk, Republic of Belarus.

2015

He defended his master's thesis at the European Humanities University on the topic "Dispositive Belarusian contemporary art in the context of Eastern European artistic practices (1990-2000)".

Since 2014

He is one of the initiators and leaders (together with Maria Kotlyachkova and Sergei Shabokhin) of the Faculty of Propaganda Criticism (FAK) - a course of lectures for students of Belarusian art institutions.

2014

Together with the artists Sergei Kiryushchenko and Sergei Shabokhin, he founded the research platform for contemporary Belarusian art KALEKTAR. The platform was presented on March 30, 2015.

Since 2014

He is a member of the expert council of the ZBOR resource.

2015

Helps organize the exhibition “Minsk. Nonconformism of the 1980s" as one of the curators of the project.

Page created 5/6/2015
Last modified 8/21/2023
Editors:
INDEX Mikita Bubashkin Maxim Tyminko