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In this essay, curator and writer Alexey Borisyonok examines labor structures and working conditions in the artistic fields of the USSR and Eastern Europe and focuses on the situation in Belarus, with particular attention to the outrageous “parasitism tax” and the reactions of artists to it.
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eng Automatic Translation
Industrial drama: the work and laziness of the artist in Belarus
2020
8/6/2020
Statusauthor, owner- Aleksei Borisionokauthor
- Младен Стилиновичmentioned
- Дарья Даниловичупоминается
- Maxim Sarychaumentioned
- Хито Штейрельmentioned
- Олег Фонаревmentioned
- Союз художников СССРmentioned
- Belarusian State Academy of Artsmentioned
- Игорь Якубовичmentioned
- Marina Naprushkinamentioned
- Aleksander Komarovmentioned
- Bergamotmentioned
- Sergey Shabohinmentioned
- Aliaxey Talstoumentioned
- Zhanna Gladkomentioned
- eeefffmentioned
- Dzina Zhukmentioned
- Nicolay Spesivtsevmentioned
- Оля Сосновскаяmentioned
- Летучая Кооперацияmentioned
- Uladzimir Hramovichmentioned
- Ира Кудряmentioned
- Tanja Setskomentioned
- Лина Медведеваmentioned
- Максим Карпицкийmentioned