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eng Automatic Translation

Alexander Veledzimovich

1983

Photographer, writer, teacher.

The most frequent character in his photographs is Vitebsk and its inhabitants. Created on film, most often staged square photographic portraits and self-portraits are distinguished by their built composition and light, lyricism and timelessness. Some works are autobiographical and borrow images and plots from memories and, more broadly, from history.

Lives and works in Vitebsk.

Selected events

Selected Artwork Series

Selected artworks

Associated institutions

Associated Documents

His works are in private collections by Russell Joslin (USA), Thomas Greichen (Germany), Patrick Klein (France) and Daniil Landau (Russia).

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Selected dates:

July 19, 1983

Born in Vitebsk (BSSR, today the Republic of Belarus).

2012

Collective exhibition "Ex oriente lux", AFF-gallery, Berlin.

2014

Personal exhibition "I wanna be a contemporary artist", Gallery "Ў", Minsk.

2014

Collective exhibition Ex oriente lux, AFF-gallery, Berlin.

2014

BY NOW collective exhibition as part of the 6th European Month of Photography, Berlin.

2014

Personal exhibition "Kunstkamera", Museum of Modern Art, Minsk.

2015

Personal exhibition "Theory of History", VTsSI, Vitebsk.

2016

Scholarship holder of the Gaude Polonia program, Poland.

Published art book "Alexiad", Warsaw.

2017

Personal exhibition "Alexiad", Bialystok.

Personal exhibition "The Past Perfect", Minsk.

Award "Art-Belarus" Autumn Salon 2017.

2019

A collection of short stories "Golden Time" was published, Minsk.

2018

Project "Garden of Eden", Autumn Salon 2018, Minsk.

2020

Collective exhibition "Alphabet of War", NCCA, Minsk.

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The photographer about his portraits: "A good photograph is just a result confirming that the photographer was sincere in everything: from the book he read yesterday to the color of his shoes and the model of the camera. An honest portrait is an indicator of a whole and correct life. Just do not forget that Everyone has their own life, and following someone else's rules is pointless.

Daido Moriyama said that photography is about finding existing images.

It doesn't work that way in a portrait.

You are simultaneously creating what you are looking for.

Therefore, a good portrait appears unexpectedly. It is always an uncertain experiment in which the rules appear on frosted glass and immediately disappear.

The portrait is a sincerely created suspense."